Tuesday, March 25, 2008

Moving pictures

I still haven't seen There Will Be Blood (cursed time, money, and mood), but like most of the internet, my gleeful attention was attracted by the I-drink-your-milkshake thing. Damon, the actor who plays Pericles, being aware of my glee, agreed to perform the following for the benefit of all:



Speaking of movies, I just discovered that Ron Fricke is making a sequel to Baraka, and it should be out later this year. Delight! The new film is called Samsara, and I will travel to see it if I must.

Pericles is currently in tech - we preview Wednesday and open Friday. A touch of bronchitis and exhaustion have left me slightly demotivated and petulant, but yesterday I bought a Yamaha GO46, so hopefully? I should write some music? Soon? I'd better; I'm supposed to have a computer music piece performed April 5 at West Chester U.

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Tuesday, March 04, 2008

Reaction video

Today I staged my very own you-know-what reaction video on members of the cast.



Watch Andrew on the left, who was just passing by and seems to have regretted his curiosity.

What's seen cannot be unseen.

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Wednesday, January 09, 2008

Brunettes into Blondes

Something that occurs to me, while I'm on the subject of Tim Burton movies, is that this is the third Burton movie I have seen in which he takes an actress who looks her best in short, straight naturally dark hair, and gives her long blonde curly locks which look horrendous. See: Winona Ryder in Edward Scissorhands, Christina Ricci in Sleepy Hollow, and now Laura Michelle Kelly in Sweeney Todd.

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Sweeney, SWEENEY

I saw Tim Burton's Sweeney Todd the other night. It was ... okay. I will concede that this musical was written to be directed by Tim Burton, or maybe that Tim Burton was born to direct this musical. And I love the music. But ... as much as I admire Helena Bonham-Carter and Johnny Depp, I just didn't buy them as singing stars. It smacked of Moulin Rouge, which is not to say it was anywhere near as bad as that turd, but smacking of a turd is never a good thing.

What bothered me most of all, to the point where it was all I could hear, and I was gritting my teeth and swallowing hard in an effort not to hiss, was that Depp kept closing off his N's all the bloody time.

"But there's no place like Lonnnnnnnnnnndonnnnnnnnnnnnnnn!"

"Not onnnnnnnnnnne mannnnnnnnnnn, no, nor tennnnnnnnnnnnnnnnnn mennnnnnnnnnnnnnnnnn, nor a hunnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnndred can assuage me."

Jesus Christ, was there not one real singer on set to tell him that this sounds like balls?

I think the kid who played Toby was probably the best thing about this movie. Him, and the blood. Oh, and Sasha Baron-Cohen's penis.

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Sunday, April 08, 2007

Grindhouse

This weekend, I finally finished grouting and caulking the kitchen tiles, and Matt and I installed our cute-as-a-button 18" dishwasher. It is perfectly functional! It doesn't leak! Clean dishes ahoy!

As a reward for our hard work, we saw Grindhouse today. Beware of spoilers in the coming paragraphs.

I daresay Grindhouse is the best thing I've seen in a long time. You know, I never used to like Tarentino all that much. Pulp Fiction was a good movie, but the way everyone in my generation seemed to go apeshit over it was too much for me. Maybe I heard the soundtrack a little too often. Also, I fell asleep in the cinema during Jackie Brown. However, the Kill Bill movies and now this have given me a very deep-seated fondness for Tarentino.

I probably wouldn't have seen Grindhouse at the cinema if I hadn't seen the trailer featuring Rose McGowan in Planet Terror with an amputated limb and a giant fuck-off machine gun screwed into the stump. All the same, I sort of wish I hadn't seen the trailer, so the machine-gun-leg would have been a surprise. Oh, it was wonderful nevertheless. It was everything I could have hoped for and more. I suspended my disbelief with glee (she walks on a "prosthetic" a mere hours after having her leg bitten off; the gun in her leg appears to be triggered by telepathy; later, a Gatling installed in her leg fails to knock her off a horse). And there were enough surprises to keep me entertained, including Fergie from the Black-Eyed Peas, who loses her brain, snigger. And there were lots of zombies. I loved it. "If anyone comes to the door, I want you to shoot them. Just like in your video games."

A lot of people online are complaining about all the dialogue in Deathproof. They're dumb. The dialogue was (a) good, and (b) riddled with in-jokes, which makes it even better. For instance, in one scene, four girls in the movie business are gossiping about who fucked whom on a set. They mention a stand-in for Darryl Hannah who fucked a director on his girlfriend's birthday. One of the actors in the first half of the film was Darryl Hannah's stand-in in the Kill Bill movies. I can't help but wonder if she fucked a director on his girlfriend's birthday, and how much more of the dialogue was an allusion.

There was something kind of heartwarming about seeing Zoe Bell kick arse. Something about the way she went after Kurt Russell with an iron pipe, hollering, "Where the fuck do you think you're going?" was so ... Australasian. I can't put my finger on it exactly, but there's something in Australian/New Zealand culture that causes people to react in just this way to certain situations. I was reminded of the time Jason and I were nearly mugged on New Year's Eve years ago. When a group of guys surrounded us and one of them snatched my bag, my first instinct wasn't, "Oh, shit, help!" but "Give me back my fucking bag," which I hollered at the would-be mugger while rushing at him, ready and willing to physically harm him, though he probably would have beat the shit out of me in a fight. He was surprised enough to throw the purse to another guy, who dropped it, and I snatched it back.

Also spotted: a XXXX beer neon sign. There was a thank-you to XXXX beer and VB in the credits. Weird.

CONCLUSION: This movie does not deserve to bomb. Go see it. It's awesome. I will probably even buy it on DVD.

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Thursday, March 15, 2007

Update of my To-Do List

Update:
  1. Clean the damn house I have half-cleaned the house. Sort of.

  2. Write song cycle based on Lucy's blog. I already have one song started, but I'd like to have at least three by the end of next week. First song is completed. I have an idea for the second.

  3. Tidy up recording of bass and pianist for "So You Want to Write a Fugue?" Done. Incidentally, Glenn Gould is a goddamn snot, the sort of snot that makes me want to punch him in the face and kiss him at the same time, which is the best kind of snot, I guess. Observe this passage towards the end:

    Hello, surprise atonalism in the middle of a Bach homage. Also, there's a section of the accompaniment that I'm pretty sure is a Wagner allusion.

  4. Finish reading American Shaolin and get started on the Proust.
  5. Study for my music theory exam
  6. Finish tiling and grouting the kitchen floor and backsplash, and install the dishwasher
  7. Practice the cello - PRACTICE IS NEVER FINISHED
  8. Practice the bassoon - PRACTICE IS NEVER FINISHED
  9. Practice singing - PRACTICE IS NEVER FINISHED
  10. Rebuild my laptop

  11. Rip Metropolis to my laptop and choose a nice fifteen-minute section of it to score in the next year. VIGOROUS SWEARING AND GNASHING OF TEETH GRRRRRRRRRRRRRRRR CUNNYKICK. Apparently, despite the fact that Metropolis was made in 1927 - that's eighty goddamn years ago, in case you weren't counting - it has not passed into the public domain. Wait, let me correct myself. It was in the public domain, but because of Sonny Bono's stupid fuck Mickey Mouse Copyright Extension Act, it suddenly became non-public property again. I didn't think that was possible, but holy fuck, it is. Words are insufficient to express my rage at the corporate-toadying US legal system's stranglehold on cumulative creativity. This is not the fucking point of copyright law! *smash*

    And no, this does not only apply to the 2002 Kino restoration, but to all copies of the movie. Check this out from a lawsuit filed in 2001 against the Attorney-General in this matter:
    Copyright restoration has had a similarly devastating impact on Festival Films's business. Before ยง 514 went into effect, Festival Films offered a wide selection of foreign titles of works that were in the public domain for failure to satisfy the requirements of the relevant Copyright Act. Festival offered these movies for sale to the public specifically because they were in the public domain. But, with copyright restoration, Festival can no longer. Copyright restoration has forced Festival to remove approximately 50 to 60 foreign titles from its selection, including such favorites as ... the classic Fritz Lang film Metropolis.
    So my grand plan to create a score for it and conduct it live in front of a projection of the movie as my senior project has been involuntarily canned. Instead, I'm laying my hands on a 1916 Danish silent film, Verdens Undergang (The End of the World), which has vaguely similar themes, I suppose. (I watched Cigarette Burns a few weeks ago, but that doesn't have much to do with it, I swear.)

    Incidentally, Metropolis will enter the public domain again in Year One 2023, unless some fucking Disney flunky douche asswipe bastard decides to extend the goddamn law again. I guess I should be thankful I didn't get this idea a few years ago, write it, then suddenly find my work unperformable in public as originally conceived without paying exorbitant fees.

  12. Counterpoint homework
  13. Build a theremin (if the parts arrive) (they haven't)

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Friday, March 09, 2007

Land ahoy!

I can't believe spring break begins for me in a couple of hours. HOW? Whither the first seven weeks of the semester? Where have I been? Was I here? There's a niggling feeling in a corner of my brain that any moment I will wake up, and it will be the beginning of January ... 2002.

Life's good, though. My conjunctivitis was gone in two days without any kind of treatment. I noted this week that it's impossible for me to walk through the music school without seeing people I know and like, and smiling. I just sorted out my schedule for next semester, and I'm looking forward to it. And 300 is open this weekend. What more could a girl want?

Here is a boring list of things to do over the break. Hey, it's good to have plans. Even if I have doubts about accomplishing any of them.
  1. Clean the damn house
  2. Write song cycle based on Lucy's blog. I already have one song started, but I'd like to have at least three by the end of next week.
  3. Tidy up recording of bass and pianist for "So You Want to Write a Fugue?" We're cobbling together the recording since our bass is spending spring break in Israel. Basically, this process is going to be like Frog and Toad all over again, I can tell. (Only, you know, without an immediate member of my family passing away in the middle of the chaos, touch wood.)
  4. Finish reading American Shaolin and get started on the Proust.
  5. Study for my music theory exam
  6. Finish tiling and grouting the kitchen floor and backsplash, and install the dishwasher
  7. Practice the cello. Maybe if I practice hard enough, I'll make up for all the lack of practice. Is that how this music thing works?
  8. Practice the bassoon
  9. Practice singing
  10. Rebuild my laptop
  11. Rip Metropolis to my laptop and choose a nice fifteen-minute section of it to score in the next year.
  12. Counterpoint homework
  13. Build a theremin (if the parts arrive)

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